The Ozgundians!

It’s been Burgundy Tasting Time, when Burgundy obsessives fret over the latest vintage. And 2013, the current vintage in question, has certainly been one to fret over. Most of the wine writers have given it a cautious “okay” rating, with some being more generally enthusiastic than others. Myself, I’m always amazed at the certainty people seem to be able to demonstrate regarding these tasting samples. I’m also reminded how much drinking pleasure I’m getting from another unfashionable Cote d’Or vintage right now – 2007!

The most interesting tasting for me this year, and therefore the one I chose on a day of at least four good tastings, was at Vinoteca St John Street, the annual Haisma/Le Grappin bash. I’m sure most readers of this blog will know, at least by reputation, these two Ozgundians, Aussies working in Burgundy. Mark Haisma requires little introduction, having crafted iconic Yarra wines before setting up his now pretty well established negoce business. Andrew Nielsen followed a different route, working his way round some iconic producers before a spell at Simon Bize helped him settle on his true vocation as a micro-negoce seeking out some tasty hidden, often unloved, parcels on the Cote.

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Andrew has concentrated for 2013 on Savigny, Santenay and Beaune. I was impressed by the wines when we visited his atmospheric cuverie under the northern ramparts of Beaune in the summer, and the wines are no less impressive now. All are lovely, all are very different to each other, which shows that terroir has triumphed over winemaking. All display what I think is a Le Grappin trait, an almost lacy elegance (mirrored so well in the exquisite labels). My favourites are the two Beaune 1er Cru, white Grèves and red Boucherottes, but I’ll be drinking them all.

Mark Haisma has a slightly different spread of interests, including some top vineyard parcels, and an interest further south as well. I began tasting Mark’s two parcel wines from Saint-Romain with real interest. I’m old enough to remember when people thought this village was more Haut than Cote and here we have two separately bottled lieu dits, Bazin and Jarron.  Both are not only clearly delineated, but very nice wines. Yet the high points of Mark’s range do, for me, come with the reds. The Bourgogne Rouge is always a bargain (as we discovered at a recent Haisma v Chacra dinner at Picture in Marylebone), but the standout here was a lovely, indeed quite stunning for me, Morey-Saint-Denis Les Chaffots 1er Cru. The only wine to overshadow it on the day was his 2010 Bonnes-Mares, already showing a nose worthy of the vintage.

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The other interest for Mark is Cornas. He’s been making characterful Cornas for a few vintages, and the 2013 is no exception, an impressive wine. In fact it impressed me as much (at the very least) as Vincent Paris’ Cornas’ shown alongside. I was only sorry that with the busy crush of eager customers, I was unable to chat to Mark about his current project in Romania, which interests me enormously. I’ll have to email him!

This was a delicious tasting, all the more so because of the interest now being shown by the wine press in these two very likeable producers. They both seem totally unpretentious, yet getting on with crafting very singular bottles from small parcels, showing both what can be done, and that Burgundy isn’t the closed, unfriendly place some make it out to be. And the wine-ghost of that other wonderful temporary Burgundian, David Clark, lingers on as well – Andrew has his old bottling machine.

Before leaving Le Grappin I should mention another side to them, known as “du Grappin”. This sees wines made largely from Gamay parcels, including this year some Fleurie, sold at various South London Markets, where you will probably meet Andrew’s wife, Emma, and sold in various alternative containers. These include the (hopefully trademarked) 1.5 litre wine bags they call “bagnums”, as well as refillable bottles. A great idea which backs up the sustainability ideals the couple espouse. Well worth trying to track them down in places like Brockley or Horniman markets after Easter. I’m sure the web site will have details.

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These two producers are highly recommended if you want something a little different from Burgundy. I’m not pretending they are Fourriers or Roulots. The wines are not actually cheap either, all these short Cote d’Or vintages have seen to that. But I do believe that the quality and individuality of these wines makes them stand out as good value.

 

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Holiday Wines

There are two reasons to avoid a blog post on holiday wines. First, what could be more dull than reading someone’s self-aggrandising pontifications about all the very smart wines they drank, and second, like many people I know, I don’t actually drink either loads of wine, or certainly loads of posh wine, over this period. Too much driving and lots of meals with family who would not always appreciate some of the stuff we drink alone or with wine friends. But then again, after a few rare gems it seems mean not to share.

Like most people who enjoy wine, Christmas is a chance to open things that will survive a few days in the fridge. In this case we had one nice surprise and one which exceeded even the high expectations placed upon it. The first was Hughes Béguet‘s Macvin du Jura. HB are a lovely, young, family producer in Mesnay, walking distance out of Arbois. Caroline is English, Patrice French. I recommend a visit. The Wine Society have sold some of their wine but the range is quite exquisite. I’m not usually a Macvin fan, but the key here is a very fine spirit and not skimping on the quality of the Ploussard juice. You get something fresh and refined in taste. It’s very fruity yet there’s a strata of clean spirit in the mix as well.

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The wine which exceeded expectations was Equipo Navazos PX “Bota No” 36. Dark brown, almost teak in colour, complex on both nose and palate, and above all, not sickly sweet. Thick enough to paint with, an inch a day must surely work as well as any medicine. And yes, I did pour some over two scoops of good, organic, vanilla ice cream – transformational (of both the ice cream and me).

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A very small Christmas lunch for just two this year. Goose legs, so what to drink? Decided to go left field as I had a 2004 “En Barberon” Pinot from Stéphane Tissot in need of opening. Sadly it was the only dud of the season, very hard and not showing too well. I was more disappointed knowing how Stéphane’s wines have thrilled me for two decades than for the wine itself, which may just be past its best? Or maybe in a dumb phase?

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Three very new (to me) wines really did excel, and the fact that they are new to me (doubtless not to some of you) made me want to share my discoveries. The first is Gut Oggau‘s Winifred Rosé. An Austrian Landwein of real vivacity, a nice spritz, fresh strawberries and raspberries with a hint of maceration…a wine that truly sings. A producer to explore in 2015. Like the labels too!

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Perhaps the star of the holidays came from an unlikely source, the grape Cinsault. But when it comes from the hands of Australia’s Tom Shobbrook via John at Winemakers Club, you get a better idea of its potential. This is a wine not now commercially available, I think, but the “By Didier” Vine Vale Cinsault made from 90-year-old Seppeltsfield vines was a marvel, both to behold (vibrant pale red) and to drink. Very fruity, starts as pure cherry, a bit of strawberry comes in…you get the idea. Dry with zippy acidity and amazing purity, like a very intricately carved piece of netsuke which yet retains its simplicity.

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The last wine must be a contender for label of the year already. “Somewhere on Another Hill” is a Chenin/Gewurztraminer blend from the Erskine Family’s Jauma Wines (South Australia). It doesn’t sound an appealing combination, but the Erskines seem to make wild and expressive wines on the outer edges, and this walks a tightrope of freshness, acidity, skin contact and so on. Citrus and apple acidity balance almost precariously with the structure of a red wine and they pull it off magnificently. Another producer to seek out this year.

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So back to work? Well not exactly. A long break this year and more family meals to come. Tomorrow we shall try a David Clark CdNuits-Villages from a sadly ever smaller stock of his lovely wines, though I’m pretty sure Berry Bros will still have some if I’m quick. And a big family celebration next weekend where I can open a handy litre of Blaufrankisch (Groszer Wein, Sudburgenland, from Newcomer at Shoreditch Boxpark) and Riverby Estate‘s Marlborough Sauvignon Blanc/Semillon 2011.

Back to work proper on 14th with the Vinoteca tasting for Le Grappin (Andrew Nielsen) and Mark Haisma. That should be good! I’ll certainly share my impressions. We tasted Le Grappin’s 2013s this autumn in Beaune and were impressed, and a multi-vintage look at Mark’s Bourgogne Rouge at Picture (north of Oxford Street/Marylebone-ish) in October showed the classy winemaker he is.

HAPPY NEW YEAR – happy drinking, and general all round success and fun in 2015.

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Festive Mirth, Girth and Things of Worth

The festive season is always eagerly awaited at Chateau Crossley, but we don’t over indulge these days…well, not too much. The holiday began yesterday with a trip to the new Sam Wanamaker theatre at London’s Globe to see Francis Beaumont’s The Knight of the Burning Pestle, very probably the funniest thing I’ve seen all year, greatly enhanced by the intimate and candle-lit theatre. Not especially enhanced by a Vermentino/Sauvignon blend at lunch and a Nemea afterwards, both inoffensive wines, but the whole day was a wonderful start to what is an extra long holiday this time round.

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With a whirl of socialising to be enjoyed, Christmas Day itself will be a quiet affair, so we have a couple of goose legs to roast. The biggest difficulty with goose is what to drink with it? Ask any three wine lovers and you’ll likely get “Burgundy”, a rich German or Syrah/Shiraz (at the very least). We are going a bit left field with Stéphane Tissot’s 2004 En Barberon Pinot Noir, book ended with some Hughes-Beguet Macvin and Equipo-Navazos PX (“Bota NO” 36 from Rey Fernando de Castilla). Boxing day will be cold cuts with my parents, accompanied by some Beaujolais, so nothing that will get lost amid the food. I’m pretty sure some Sipsmith London Dry will be consumed as well, but you need a settler. Champagne’s time will come, have no fear.

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It’s a good time to reflect on the wine stuff I have valued this year. Top of the list must come the “Oddities” lunches at the wonderful Rochelle Canteen. These grew out of a desire by a core of Forum users (from Tom Cannavan’s Winepages, the most civilised place to discuss wine on the Web) to drink a broader set of wines with lunch than one often gets at the many “offlines” taking place every month, and perhaps a range of wines a touch less “stellar” as well. We drink the wines (not taste 😉 ) blind, which adds greatly to the fun. You can only dine out for so long on the nailing of that Serbian Pinot, and self-ridicule is a great leveller in a world so potentially pompous as wine tasting. Needless to say, for those who know Rochelle, the food is marvellous, again in a way that contrasts with the fine dining experience so often matched with peerless Bordeaux, Burgundy and Barolo. Thanks go to Dave Stenton who organises these lunches with me.

Winemakers Club has been one of the great wine shop discoveries of the year. Surely the oddest range of bottles in London, yet always wines of real interest. The other bricks and mortar haven for the wine geek is Theatre of Wine (although I’ve thus far only discovered their Greenwich shop). But I must also mention online merchant Alpine Wines, despite having failed to patronise them as much as I’d have liked this year. Switzerland and Austria with a smattering of other bumpy wine locations not too far away. Swiss wine is far too neglected by we supposedly all knowing Brits, but more Savoie would make them almost perfect (please, Joelle). I have patronised Lymington’s remarkable Solent Cellar, and if I buy far less wine in 2015, I know quite a bit of it will come from here due to their adventurous buying policy and a finger firmly on several wine pulses at once.

As for wine trips, spending time with Raphael Bereche is always warm and illuminating. It helps that this rising star of the Montagne is also such a really nice man (and that he shares a love of Equipo-Navazos, so clearly has taste). He’s making some fantastic wines. Another pleasurable meeting was with Andrew Nielsen in Beaune, and I plan to get much better acquainted with the wines of Le Grappin over 2015 (hopefully starting in January with his London Tasting). I also met Kevin Courtney of Marlborough’s Riverby Estate. Having already discovered the excellent and great value wines he’s producing, it was good to know there’s yet another sympathetic wine guy behind the brand, so to speak.

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I can’t leave without mentioning the Arbois trip. I’ve had a long love affair with the town, and the Jura region, since the 1980s, but in recent years our frequent trips have been mere stops en route to Geneva, Aosta and beyond. This time we managed a week to enable us to get acquainted with more new growers and to sample Arbois’ gastronomy once more. I’ve eaten some lovely meals in 2014 but a straight (if totally different) trio of Bistro des Claquets (simple filling grub with natural wines), La Balance (inventive dishes with great wine matches) and Jean-Paul Jeunet (two Michelin stars, old world charm, great value for the standard) made for a perfect visit. The local affineurs  and the unbeatable delights of Hirsinger’s tartes and cakes made for more than a few grams added to the girth.

So Happy Christmas (or Happy Holidays) to everyone. Having a bit of a mobility problem this festive season (foot, tendon, ouch!), I can only offer the wise words sung by Merrythought in “The Knight”: “Hey Ho, ’tis nought but mirth, that keeps the body from the earth”. Have fun! And Cheers!

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Wine Book of the Year

Forget the Roederers and André Simons (well, you don’t have to but…), no panel of eminent jurors, no politics, just one crazy guy who reads way too many wine books.

There’s no doubt that 2014 was a good year for wine writing, with blogs multiplying, Tweeters twittering profusely and wine forum wisdom pouring forth in ever increasing word counts. It seems as if the world of wine talk has taken another great leap forward this year. But there is still a place for the humble book. Indeed, in a wine world where people’s horizons are broadening, there’s an even greater need for good books on the uncovered regions (a book on Beaujolais and more interest in Switzerland in 2015 please!).

Before introducing my WBOTY, I really ought to mention briefly those writers that impressed me nearly as much. It just so happens that there are three books I’ve read this year that cover other paths less well trodden. Technically the first was published in 2013 but I’m claiming it as I read it this Year. Jon Bonné’s The New California Wine highlights the growing band of growers and winemakers there who are producing wines of finesse, elegance and restraint. Post-Big Flavour, to coin his description. If you’ve tried the wines, many available from Roberson in London, then try the book. Informative and enjoyable, and full of great recommendations.

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Another near winner was Stuart Pigott’s love letter to the greatest white grape on the planet, Best White Grape on Earth – The Riesling Story. Pigott is one of the greatest authorities on the grape, and combines a deep knowledge of both European and American producers. In fact the coverage of North America is only frustrating for the fact that I can’t get hold of many of his recommendations, but that doesn’t make the book any less of a good story, for that is how it reads. And it reads easily too, a great little addition to the genre.

I also got much pleasure out of Isabelle Legeron’s Natural Wine. I should say that Legeron’s book might frustrate some readers. Aside from her obvious fundamentalism, albeit born out of genuine passion, the book is a bit light on details about where exactly some of the producers she profiles are based and have their vineyards. But Natural Wine is a phenomenon which seems to be almost ignored in the wine press. This book brings to our attention a genuine movement. Some of these producers are making world class wines whilst others are making some of the most gluggable, refreshing vins de soif I have ever drunk. Despite its shortcomings in describing the place where these wines with a thorough sense of place specifically come from, this book is an essential read for any Real (pun intended) wine lover. The passion shines on the page.

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A couple of other mentions must go to Noble Rot magazine, a real tonic to read among the more serious perspectives on all things wine, and to an emerging talent perhaps, Anne Krebiehl MW. Anne is a prolific Tweeter, and you can find her words in World of Fine Wine and many other places. I’ve never met her, but anyone who wrote their MW dissertation on “The Future of Premium German Pinot Noir” is someone I’d like to share a bottle of Friedrich Becker with. I look forward to more of her wise and entertaining words in 2015.

So, to the worthy winner, Wink Lorch’s Jura Wine. This book was funded on Kickstarter with the help of a dedicated bunch of Jura fanatics, and self-published by Wink. She has distilled decades of knowledge into what is much more than a wine book, a paean of praise to this bucolic region of hills and pastures, of France’s best cheeses, some of her best gastronomy, and certainly her finest chocolate. She is aided in this by the stunning photography of Mick Rock (Cephas).

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The book begins with many of the usual introductory chapters you’d expect, on the region, what the wines taste like and so on. But the historical and cultural material is detailed and highly readable. There’s a wonderful chapter about individuals who made a difference, from Pasteur and Henri Maire to Jean-Paul Jeunet and Pierre Overnoy.

Yet the meat of the book is a highly detailed profile of the majority of the wider regions’s vignerons, both the old timers like Macle and Puffeney and the young couples with their two or three hectares. The latter illustrate just what a hotbed of innovation and committed wine production Jura has become. The book also has a short section on sights, places to stay, and places to eat. Arbois itself has enough interesting restaurants, from the two-star J-P Jeunet to the natural wine hangout Bistro des Claquets and several in between to keep me going for a week.

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Jura Wine really cannot be recommended highly enough, even if you’ve only a passing interest in this quiet region nestling between Burgundy and Switzerland. Some decades ago I just wandered over during a week’s visit to Meursault, and I was hooked. If you, like me, enjoy eating and drinking well and then paying penance with some lovely long walks, I’m sure you’ll go back again and again, and I’d not go without this book.

The next book on the pile? Kerin O’Keefe’s Barolo and Barbaresco, another long awaited subject and then two come along almost at once.

Oh, the chocolate – Hirsinger in the centre of Arbois, possibly the finest chocolatier in France.

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Quality Chops and Clubbing

Just an average day for me in London, you will note, passing Il Camisa for a bottle of Barolo, en route to Foyles to buy Kerin O’Keefe’s book on a similar subject. Then a saunter down to Farringdon Street to see whether I can see a familiar face, not John who runs Winemakers’ Club in this case but the rather singular labels on Gut Oggau’s wines (the face below is that of Winifred, a pink Osterreichischer Landwein, and the only one of Gut’s wines John currently has on the shelf).

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I do wish I got over to Winemakers’ Club more often. It’s excitement lies partly in the excellent range of wines erring towards the natural persuasion, and to the fact that it’s the one wine shop where many of the wines which I have yet to buy come from winemakers whose names I often don’t know how to pronounce. That signifies adventure and discoveries to be made.

Anyone venturing into the eerie space underneath Holborn Viaduct might remember it as an Oddbins Fine Wine store decades ago, and the very place introduced me to some very good wines way back then (Sean Thackrey springs immediately to mind), so it’s good to see it reborn in this way. I’d pretty much try any wine they sell, but do ask about Hungarians, Aostans, Vinochisti and Australian winemakers whose first name is Tom.

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The object of the day was to end it at Quality Chop House, not far up Farringdon Road (which it inexplicably becomes, at some point no longer a street), there to taste my first ever Beaujolais from Julie Balagny. Balagny is a pupil of Yvon Métras, and is totally passionate about making the best wines possible from her three-or-so hectares of Fleurie. We drank the 2013 “en Rémont” and we had it decanted. I can say little more than it is possibly the most elegant, precise, Beaujolais wine I have ever had. On the lighter side, one might say, but still concentrated and with both a scent and structure that reminded me of Organdy, that fine cotton fabric from Turkmenistan whose open weave gives the impression of delicacy without undue lightness. Truly a lovely wine and potentially a new star in the region. That a friend had to lug this back from New York (she has no UK importer, we believe) is frustrating. By the way, anyone writing a book on Beaujolais? It must be one of the most exciting yet under the radar hotbeds of French wine these days?

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I must mention the wine we grabbed from the QCH Bin End List, from a producer I’d never heard of, J-C Garnier’s Roche Bézigon. It’s a Chenin with some skin maceration made over towards Layon. An almost dark gold colour, a touch of volatility but by no means on the way to cider, it was a nice wine and a nice choice.

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The food at Quality Chop House was excellent, including (for me) a starter of brown crab on toast and a Berkshire pork chop for main, accompanied by some rather tasty, if decadent, confit potatoes. London does seem to have rather a lot of very good restaurants these days, but QCH is one to return to. The main dining room has that authentic feel of old London, well I don’t mean the Dr Johnson “Ye Olde” of the Cheshire Cheese, but of jellied eels and great meat (being a quick dash from Smithfield). In fact QCH has its own butchers/food shop next door, and the quality of the pork was excellent. Indeed, we were well set up for the now inevitable delays on the train home.

 

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Wine Gang Prestige Champagne Event

Last night thirty very lucky people visited the Antique Wine Company’s Marylebone tasting room to taste ten Champagnes in the company of The Wine Gang (Tom Cannavan, Jane Parkinson, David Williams, Ant Rose and Jo Simon). It really was a fantastic, fun, evening, delicious wines with well paced commentary, and the canapés were pretty decent too.

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Billecart-Salmon 2004

Pale with a refined bead, very elegant and fresh. The 70% Pinot Noir is accompanied by 30% very mineral Chardonnay, very refreshing and very dry (Extra-Brut with 0g/l dosage). A clear step up from the NV from this house we were served as an aperitif on arrival. Billecart can always be relied upon for a classy vintage and this was no exception, though it couldn’t match the next wine.

Billecart-Salmon François Billecart 1999

This is where we start to see some complexity, though this wine, released after the 2000 version, still has a way to develop. 40% Cotes Chardonnay is matched with 60%  Montagne Pinot. There’s a broadness to this later disgorged wine, and once more we also get a mineral freshness. I’m not sure I’ve ever had a disappointing FB.

Taittinger Folies de la Marquetterie NV

I have to admit a particular liking for this single vineyard wine, named after the Chateau Pierre Taittinger bought just south of Epernay after the war. It’s always a clean, precise wine, well balanced, and I find it works well with food. It’s always a blend of a little more Pinot Noir than Chardonnay, say 55/45, from the 8ha Clos. It was my vote for best value wine of the night (though the Pol 2004 won the vote for best value and with both wines retailing for around £50 it’s a matter of which style you like best). It’s the wine I think that gets overlooked in the Taittinger range, so worth exploring.

Taittinger Comtes de Champagne 2005

Don’t be put off by what some may call a lesser vintage. Comtes has been on fire of late and the 2005 is particularly impressive. It’s a Blanc de Blancs and has that softly complex nose and a tell-tale floral “Comtes” burst but the fruit is totally integrated on the palate. The wine is blessed with great length. I’ve been coming to see Comtes as one of my favourite Champagnes but this was my first taste of the 2005. Not disappointed! And it’s not unheard of to be able to source these with a little discount from time to time.

Pol Roger Brut Vintage 2004

Both Pols tonight were of a noticeably darker hue, ironic in that they see not a splinter of oak, but they are all hand riddled with a slow secondary fermentation. Despite the colour, the 04 was fresh and already showing a biscuity complexity from the 40% Cotes de Blancs Chardonnay, matched with 60% Pinot from the Montagne. To say Pol 04 is a very classy Champagne is probably an under statement.

Pol Roger Sir Winston Churchill 2000

We were very lucky to have the last bottles remaining unsold in the UK of the 2000 vintage of Winston. Another darker wine, the very powerful nose strikes immediately. Although technical data is hard to come by for this cuvée, it is probably around 70% Pinot from very old vines (they say planted in Churchill’s lifetime). They produce a full-bodied wine with great vinosity. Should I be sheepish in saying that I know this 2000 goes remarkably well with fish & chips…?

Delamotte Blanc de Blancs 2004

This is another wine I buy when I can and the 2004 of the vintage Blanc de Blancs has proved a delicious wine without the need for great bottle age (though it still has a life ahead of it). This is no doubt down to eight years on lees and a “light” dosage which gives it a delicious creamy brioche note and reminds me why I’m such a BdeB fan. Having the same winemaking team as Salon might help!

Salon 2002

Salon may be a legend but I have to admit this is my first ever taste of it. The 38th vintage of this BdeB (it’s only made in good years) was released this year, and it comes from the Jardin de Salon and nineteen other small parcels selected around Le Mesnil. Very hard to read, it shows beautifully already on the nose, but no one would pretend the quincy palate stunned the audience. My reading, based on experience of other long-lived Champagnes, is that this was clearly down to youth, and Salon is one of a handful of Champagnes demanding long keeping. But others were not so impressed, with comments about it dropping away with no great length. I’m pretty sure that in the fullness of time it will prove the critics wrong, but then I’m not claiming vast experience here. I clearly need to sit down with a bottle to do some detailed research…if Salon would like to help me out here.

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Dom Pérignon 2004

Any visitor to Epernay will probably have seen the bronze statue of the Dom outside Moet’s large premises, and will know the stories (some accurate, some less so) about his great influence on the wines of the region. Many will also have tasted this iconic prestige cuvée (a lot of it is made). And although some may quibble at its price, and sometimes with the odd vintage, it remains remarkable in so many ways. It’s always a Pinot Noir-Chardonnay blend with a lowish dosage now, which makes it dry but not too dry. It often drinks remarkably well when young, and for me the 2004 is no exception. The grapefruity freshness sees to that, but the toasty signs of complexity are there too. It clearly has a long life ahead in terms of development, but is it a terrible thing to call it gluggable…in the best sense?

Dom Pérignon P2 1998

The “Plenitude” concept replaces Oenotheque, of which the original “P1” version of the 1998 was labelled. So P2 is the second cycle of this wine’s life, disgorged to illustrate different aspects and facets of its character, as P3 will, in the future.

P2 had twelve years of lees ageing and was released May 2014. It’s already complex on the lovely, lifted, nose, but yet remains classic DP. It’s a singular, delicious yet in some ways formidable wine. Jane Parkinson (above) described it as “liquid baklava” with honey, nuts and pastry. That matches the palate, yet the unique nose has something tropical about it (or was that the staff member wearing quite strong perfume who walked past me at that point?). Anyway, it was my Wine of the Night, and that of more than 50% of the audience, a clear winner and a total treat on which to finish.

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As Tom said in his summing up (above), a really fantastic tasting which even the experts found highly stimulating. No disappointing wines, all worthy of recommendation. Although the outlay for tickets for these events may not be insubstantial, compared to other prestige wine events, they remain very good value, and I’m pretty sure from the comments I heard that the other attendees would agree (though I have no idea what they got in their (served blind) goody bags, chortle).

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Riverby Estate Tasting, Butlers, Brighton

Riverby Estate in Marlborough, New Zealand, are pretty much unknown in the UK, yet this is not the case in NZ and Australia. They did win a Trophy and a couple of Golds at the DWWA a year ago but back home they manage to garner accolade after accolade, especially at the prestigious Air New Zealand Awards. They also share a location right next to the iconic Cloudy Bay Winery. All in all we should be taking a lot more interest in Riverby.

This was probably the largest tasting of this producer’s output assembled in the UK, and included twelve wines, several of which are not actually available here, but which were kindly sent over for us to try. It might be a little dull if I were to drone on about all of them, though I can’t bring myself to mention fewer than eight. All wines mentioned are made with estate-grown fruit using John Forrest’s winery next door.

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Riverby make a fresh and dry Sauvignon Blanc which seems to eschew the sugar found in anything remotely commercial from Marlborough. The 2013 is slightly broader than some previous versions, and the nose is expressive. Retailing at under £14 it reminds me of one or two well known £20 versions.

It was a toss-up as to whether people preferred this or the very good dry Riverby Riesling 2012. This blends citrus zest with a hint of oiliness, and is bone dry. A refreshing summer food wine, yet I think with the potential to age further beautifully.

The Eliza Riesling was also the 2012, the first vintage for this cuvee. Golds and a Trophy at NZ’s top three wine shows, 96 points from Bob Campbell, 92 from Wine Advocate, one of the stars of the evening. 63 grams r/s with some of the Noble Riesling blended in so a hint of botrytis. Beautifully balanced, poised between acidity and sweetness like a confident high wire artist.

Unusually for a Marlborough winery, Riverby’s top selling wine is their Chardonnay. Twelve months in oak but only 30% new, the 2011 (Riverby claim it’s their best yet) is magnificently restrained. The oak is there – the creaminess is apparent from the start – becomes buttery (melted butter on the nose) with a hint of hazelnut, but you never lose the fruit. And if there is a Riverby trait it has to be freshness. All their wines have this signature. I really do love this restrained style of Chardonnay, a long way from the “one glass is enough” wines of the past.

My biggest regret is that the Gruner Veltliner, the 2013 being the first vintage, is not commercially available here yet. Only 140 cases made, one case in the UK I believe. I have a penchant for Austrian Gruner, and have tried a few Californians. I can see why some wine judges might mark this down. It’s just a great food wine that doesn’t dominate the palate. Just 6g/l residual sugar and a nice touch of white pepper on the finish. I believe the 2014 is being bottled as I type. Hope to see a few bottles in the UK and making their way into my wine rack.

We tried a couple of Pinot Noir, the 2010 and 2013. 2010 was a very good Marlborough PN vintage and this has aged well. A four year old with a bit of development yet still showing crunchy fruit is quite a bargain for £19.50. The 2013 in contrast is a little angular right now, but it’s bigger, with the potential to better even the 2010 if tucked away for a year or two. This was its first UK outing, but it should prove a hit.

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We ended a very wet night on the South Coast with pure nectar, Riverby Noble Riesling 2011. If the Chardonnay is the best seller, this is the star wine. A Trophy at the DWWA in a long line of Riverby Trophy Winners in NZ, Riverby appear to be the country’s best producer of sweet wines. This 2011 is impressive and it has to be tasted. 220 grams of sugar, botrytis and bags of acidity to balance, it’s essence of honey and lemon to begin with until a paragraph of further complexities follow. But if you just need a one word TN…WOW! It is said that the 2013 is even better. We shall see.

Let’s hope that Riverby’s reputation grows. They deserve it. Everything is between £14 to £21, making it one of the best value ranges of quality New Zealand wine in the UK. Available from Butler’s Wine Cellar, Brighton, and imported through Black Dog Wine Agency.

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Dave’s Wine Heroes #3 – Alpine Wines

Alpine wines, a mail order merchant based in Yorkshire, grew out of Nick Dobson Wines, which was taken over by Joelle Nebbe-Mornod after Nick sadly passed away in 2012. Joelle actually started out in science with a Masters in Theoretical Physics from Lausanne, became an Internet entrpreneur and then got seduced by the idea of selling the wines of her native Switzerland to the British.

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Switzerland is one of the world’s most neglected wine countries. People sometimes find it harder to get hold of Swiss wines than those of smaller producers of quality wine, such as Georgia, Slovenia or Croatia. Well, it’s not true, that bit about hard to get hold of. Joelle imports many of Switzerland’s finest and up-and-coming producers from most Swiss wine regions. Not just the wines of The Valais which some Brits have come across, but the vastly improved wines of the beautiful Corniche of Lavaux just west of Montreux, or the almost hidden vineyards west of Geneva around the Rhone, among many others. You’ve never tried Ticino Merlot? There are several here.

Yet Alpine Wines is much more than Switzerland. Okay, a few of the wines stretch the “alpine” moniker a bit (Beaujolais, Mosel), but I don’t really care when they are introducing new, family, winegrowers focussed on quality. Actually, where I think Alpine Wines really scores is in a very well curated list of Austrians. Few are household names…yet. But it’s here where some of the most fascinating wines of the range reside.

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There’s no doubt that Joelle knows a lot about customer service. The wines most often arrive the next day after a call or order online, in excellent packaging, and the team will go the extra mile to accommodate special requests. I think for those who are quick, you can catch her and husband Robb at the Christmas Market at the Swiss Church in Covent Garden tomorrow (22 Nov).

My personal recommendations from the range would include pretty much anything from Simon Maye (Chamoson, Valais) in Switzerland, plus three Austrians – Gunter and Regina Triebaumer (Rust), Rainer Christ (Vienna, a great producer to sample the unique Viennese Gemischter Satz blend from) and Heidi Schrock (also Rust). Heidi is perhaps a household name to fans of Austrian wines, and I love her wines, all of them, from her simple entry level Blaufrankisch to her magnificent Ruster Ausbruch dessert wines. And as we’re in Austria, who wouldn’t want to try a Zierfandler-Rotgipfler blend from Stift Klosterneuberg, the famous Augustianian Monastery just north of Vienna?

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This is a merchant every adventurous wine drinker would have a lot of fun with.

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Domaine Direct Tasting at Butlers

I managed to join a tasting of a dozen wines with new MW Rob MacCulloch from Domaine Direct at Butler’s Wine Cellar in Brighton yesterday. It’s worth reporting because there were a few wines there that are well worth exploring.

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The genuine highlights from those on show included a Sancerre, a couple of Fleuries, a tasty Bourgogne Rouge and four wines from Bill and Jane Easton in Amador County.

The Sancerre was from a producer I admit I’ve never tried before, Domaine Roger Chapault’s Clos du Roy 2011 (from Champtin, west of Bué). This was structured, fresh and mineral and it took a minute or two to come alive in the glass. The vintage surprised me as the ’11s are supposedly a bit softer in many examples, but this is no early drinker. A good wine with the backbone to age, and a food wine as well.

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The Fleuries from Alain Coudert’s Clos de la Roilette were in some respects in the same mould. No hints of intra-cellular fermentation of any description here. When someone talks about how Gamay can age to resemble Pinot Noir just pull this pair out, they taste like it already. I’d call them traditional or even old fashioned, except that they’re not, really. Too good for that. The straight Fleurie (2012) is approachable but will keep. It develops a beautiful, haunting, scent and is definitely a food wine with tannins. A juicy steak required, maybe. The Vendange Tardive is a different beast. Actually an old vine cuvée, the antithesis of Nouveau, it’s built to age, and I’d be reticent to touch it for five years. But I reckon it’ll be worth it.

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The four Amador wines tasted from the Eastons exhibit a real family likeness best exemplified in the Fiddletown AVA Viognier and the Easton Zinfandel – freshness. Amador is out east of Sacramento, not always known for quality but the big advantage here are the cool nights, all down to the influence of San Francisco Bay. The Viognier is a 2010, amazingly fresh with none of those parma violet notes (and overwhelming alcohol)  you get on some Cali versions. It reminded me a little bit of Ogier’s Collines Rodaniènnes more than, say, La Jota’s barrel fermented version. The Zin likewise. If you are put off this grape by the big, jammy, monsters then try this, it’s totally different. The Tete-a-Tete is just like a tasty Cotes du Rhone, a very nice quaffer, lightish but not insubstantial.

The final wine we tasted from this Amador family was the Syrah “Les Cotes de L’Ouest” It’s slightly in the vein of Roberson’s Copain from Mendocino, as in elegant, restrained, but the Easton/Terre Rouge is a bit more evolved, more meat on the nose. For me, the top wine from this new addition to Domaine Direct’s portfolio, though if you do have a chance to taste the Cabernet Franc (not tasted yesterday), give that a go too.

And the Bourgogne? A Chantal Lescure 2009 with fruit from around Pommard. Structured for a 2009, touch of tannin, a pleasant surprise.

I can’t leave without mentioning another wine we tried this week, Spirit of London from London’s first Urban Winery, London Cru. It’s a blend of 2013 Cab Sauv and Barbera (for hopefully obvious reasons labelled as a “Wine of the European Community”). Dark fruited, touch of tannin, with a touch of tasty Barbera bitterness on the finish, a good effort, and well done to Marks & Spencer for taking this on. At £16 (UK retail) it’s in the realms of some of the wines above, so in pure value for money terms it would be hard to argue for it. But for what it is, and represents, it’s more than worth giving it a go. Snap it up. If there’s any left I shall certainly get some more.

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Oddities at Rochelle

Every couple of months an assortment of wine obsessives descend upon Rochelle Canteen in Shoreditch to partake of a few bottles. Instead of living large with old bottles of Pauillac and Chambertin, this is an exploration of the outer reaches of the world of wine. Purely for a laugh the wines are tasted blind and discussed, the aim being to finish with the kind of guess as to what it is that would tend to lower you in the esteem of your fellow wine lovers. Despite this being seemingly a lot easier after the seventh glass, some people are always incredibly bad at it, and guess the wine (or near enough).

Last week, to illustrate the contrasts the palate must be subjected to, whilst waiting to order, we sampled a bitter spritz, Grazzano, then on offer at Lidl for £3.99, the colour of Lucozade and less than 7% alcohol, before the more serious (and on-theme) “Vrigny” Meunier from Egly-Ouriet. The type of wine many would spot (a couple did), but I had it as Moutard’s 6 Cépages. It was that kind of day, and it’s been a few months since my epic nailing of a Serbian Pinot Noir.

The wine highlights included an Oremus Furmint 2010, still fresh, a stunning white Priorat made from 80% PX, Terra de Cuques from Terroir al Limit, and Equipo-Navazos’ “extra age” version of Florpower, Más álla (Bota 53). The EN is just what these lunches are about, a wine of exceptional quality but far removed from the Cabernet/Chardonnay norm.

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I wish there were room to write about Hans Herzog’s NZ Zweigelt, Oikonomoy’s 2006 Cretan gem or the lovely Pelaverga Piccolo from Cascina Berchialla in Barbaresco, but at an oddities lunch, there’s always something, er, odd in the extreme. This time it was Dutch.

I’ve only drunk one Dutch wine before and although it began well it developed a bouquet, and a flavour, of very ripe, runny cheese. No such problem here. De Klein Schorre’s Schouwen Duivenland Auxerrois  is lemony, light and refreshing. If a touch simple, it’s inexpensive and much better than its novelty value alone.

To finish, something equally obscure, French, but not from one of her noted wine regions. Jason from Theatre of Wine brought along a little something extra, Vignoble Guillaume’s Reserve Chardonnay “A mon père” 2005 (see below), an experimental cuvée not commercially available. Guillaume are based at Charcenne, in deepest Franche-Comté just north of Besançon. Pépinières Guillaume is one of the largest and best respected vine nurseries in France and the attached vineyard produces a wide range of wines, several of them based on Chardonnay and Pinot Noir, plus a Vin Jaune lookalike of some quality from Savagnin, called Cuvée des Archeveques. An excellent wine from a producer somewhat below the radar of cult status, for now, but with a growing whisper of a reputation.

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As ever, the food at Rochelle Canteen, and the surroundings, match this type of lunch so well. The very finest ingredients cooked simply, with great care and no artifice. A concentrated game broth special was nearly a meal in itself, but thankfully gluttony allowed the partridge pie main to find space. It’s all about pacing, especially for those following the traditional route of post-prandial pint followed by an evening in Sager+Wilde. This time I was not too unhappy to have an appointment at…another wine shop.

 

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